Calgary quartet Women began as a project: four old high-school pals deciding to make a record to fill in Alberta’s frigid winter months. Roping in local analog-equipment-hoarding weirdo (and Sub Poprecording artist) Chad VanGaalen, Women rolled tape on a set of short, sharp, fragmented tracks in a basement, a crawlspace, an outdoor culvert, and by the side of the river. The resulting record, Women’s debut self-titled set, is a tape-hiss-draped work both mysterious and immediate. Standing outside of a Vietnamese restaurant in Hamilton, guitarist/vocalist Chris Reimer spoke.
Interview: 9 October 2008
You’re in the middle of three solid months on tour. Is it weird to have your life planned so far in advance?
“It’s kind of hilarious: you want to make plans with your friends, and you say: ‘Let’s go for coffee! How’s April?’ It feels weird, but it’s also kinda nice, because playing music for people is the only thing we really want to do.”
Has it always been that way?
“Well, I started playing guitar when I was 10, and started jamming with [Women’s] Pat [Flegel] and Mike [Wallace] when we were, probably, 13. We were the guys at school who played music. We’ve been in bands on and off since then; most of my life has actually been spent making music with the dudes in this band.” Continue reading