Recorded Feb, 21 2012
In memory of Christopher Reimer 1986-2012
Recorded Feb, 21 2012
In memory of Christopher Reimer 1986-2012
Filed under sounds
Carrier, the Dodos’ fifth album, is both a reckoning and fresh start. Singer-songwriter Meric Long and drummer Logan Kroeber have primarily functioned as a duo since 2005, but for an all-too-brief moment the Dodos were a trio. It’s in this vibrant, sorrowful, powerfully spare new album that we’re afforded a glimpse of what that could have/should have looked like.
After acting as the band’s touring guitarist in 2011, Calgary-based musician Chris Reimer (Women) was invited to become the third member of the Dodos. On Feb. 21, 2012, Reimer, who was just 26, died in his sleep. Carrier is both a celebration and tribute to Reimer’s life and his musical influence, as well as the sound of a band finding its way out of the darkness. Our full interview with Meric Long will be published on Thursday.
We’re streaming Carrier for our Canadian audience a week before its release via Dine Alone Records. The album is available for pre-order on iTunes.
Following the dissolution of Women and prior to his tragic death in 2012, guitarist Christopher Reimer quietly joined Dodos– which seemed like an odd, if not impossible, fit. Dodos were a known quantity as an acoustic-and-drums (and loops) two-piece, proving effusive, melodic and spirited in a live setting. Conversely, Women’s turbulent post-punk hovered like a cloud bearing acid rain, as Reimer would often stand completely motionless on stage.
Frontman Meric Long claims that Reimer was a huge influence on Dodos’ new LP, Carrier, and lead single “Confidence” is proof enough. Rather than Long’s typical brassy, open-tuned acoustics, “Confidence” is built on the kind of small, wiry guitar curlicues Reimer would lend to Women’s output. It’s still every bit a Dodos song in the ways that matter the most, though; the melodies are warm and pleasantly rumpled, drummer Logan Kroeber forgoes mundane timekeeping to push and prod Long and in the second half, the two ditch the relative minimalism to hurtle through a breakneck jam of harmonized guitar leads that can be heard as a tribute to a man whose short time with Dodos truly moved them.
Listen to the track on SoundCloud. Pre-order Carrier (out 8/27/13 [our late grandfather’s birthday] on PolyVinyl).
I am looking forward to seeing and hearing Meric and Logan at Sled Island next week, though it will be bittersweet for me. Chris asked me to come to Sled with him the first couple of years of the festival; I never did. Thought I was too busy at work and thought I couldn’t afford the plane ticket. This year I’ve bought a Festival Discovery Plus Pass. Gonna cram in as much Sled as I can. With/without him.
Mad love and thanks to all the peeps who came out to see our boy’s show at Sled Island last week. (Two weeks ago, I guess. They say you lose time in grief. It’s true. It goes somewhere).
Also, I don’t know that I properly thanked the Sled Island Festival, and Paisley Sim in particular, for so generously making possible this event. From FFWD:
For Sim, however, one exhibition stands out from the rest: the Reimer show at MOCA. “Marc Rimmer curated it and Marc and Chris were best friends for many, many years,” she says. “It’s a collection of photographs of him by many people in his life and then we’re playing many of his unreleased, ambient scores — they’re all so textured.”
The show features a silent auction to raise funds for a foundation in Reimer’s name.
“More than anything, I feel humbled to be able to present it. I loved Chris and I hope that the show is well-received by his family more than anything else.”
CBC Calgary’s The Homestretch spoke to Marc in advance of the show.
And BeatRoute interviewed Rena about Gold.
Thanks to DivinerOne/Kathleen Moors for this lovely ambient video:
Filed under events, images, legacy fund, press, sounds, tributes, video
Reposted from AaronLeaney.com / Multiphonic Sounds
I am sad to hear of Calgary guitarist Chris Reimer’s passing. We just shared a stage on the 8th of February this year where he saved my opening set that night lending me a missing power supply and cable, reassuring me that he was, “happy to help”. He performed solo electric guitar which shined with beauty; I remember feeling like I was in church or in a spiritual ritual hearing bells of cosmic light that filled my soul. Reimer will probably be best remembered as guitarist for the Calgary band Women but I think this set in particular deserves some introspection and meditation – it shines with beauty.
Recorded by Brad Hawkins, February 8th, 2012 at Weeds Cafe, Calgary, Alberta, Canada
My name is (william) James (J.J.) Mathison — people tend to decide what name I go by… Chris called me Jimmy. I like that.
I have been punishing my soft little brain for days to find the right words to express my sorrow to you and your family, to all friends of Chris, to myself. Mostly I have been drinking; trying to make some sense of it all. We did a lot of that together, Chris and I.
We didn’t rely on finding the right words too much when we were together. No doubt Chris had them there, somewhere in that sad-brilliant mind of his.
We drove around. We were fucking hilarious. Everybody knows Chris was fucking hilarious.
We hugged a lot.
Smart people tend to be intuitively unhapppy. Chris was un-happy a great deal when I knew him best. This made sense to me.
Stupid-happy people are boring. Sad-smart people are interesting. Chris was really goddamn interesting. I think we bonded.
(in case you’re wondering: sad-stupid people need to just cheer the fuck up already.) Continue reading
I don’t believe we’ve met but I wanted to offer my condolences for the loss of your brother, and share a few memories of him. Chris briefly played bass in I Die Screaming, a grindcore band I formed with another friend who’d seen him play in Veritas. When we’d gotten wind Veritas were calling it a day we wanted Chris and his incredible talents in our metal band. His tenure was brief, playing on a demo we recorded before leaving the band to focus on other projects.
We were disappointed but understood. What was amazing to me was a year or so later when he sent me recordings of his project The Exercises, playing phenomenal noisy grind. He said he’d missed playing in IDS and wanted to start something in a similar vein; it was funny to find out that he’d put together a far better take on the genre by himself as a side project than the rest of us had managed to come up with focusing on it as our main outlet. The funny thing is, IDS continued on for a few more years, but as a trio; we never filled that bass spot. Continue reading
First, my deepest sympathies for the loss of your brother. You’ve set up a great site to remember him and it’s really nice, as a person who unfortunately never met Chris personally, to read stories and memories.
I’ve posted an article on my site about Chris and my one and only real memory of his gift.
Video of the Day: In Memory of Chris Reimer